Stuart Lee
An Artist Learning the Cello: Ethical Reorientation as Radical Empathy
Xinyue Sun
Temporal Organisation of Discrete Events: Trigger Logic as a Generative Condition
Bryan Yueshen Wu
Phantom V3
Yunqi Peng
Situated Graphic Design Strategy in the Context of Art Book Fair and Publishing Practice
Shuang Zhao
Green Screen as Counter-Visuality Practice: Imagination, Pleasure and Self-Censorship in Video Games
Rowena Liangru Lu
Three of Them & Me
Jingjie Zhang
Nomadic, Itinerant, and Invisible Specters: The Dual Realisms of the Sixth Ring Odyssey
Graham Newman
Counting the Wrong Things: Bruce Archer and the Visibility of Design Research at the Royal College of Art
Kam Rehal
collaborative mark-making and conversation (cm–mc)
Jingjie Zhang
Defending Jingjie in Front of His Interpreters
Bryan Yueshen Wu
Sonic self: materialising selfhood through creative sonification practices
Meghan Lazier Stemp
Absent in the Archive: Cultural Memory and Abortion
Yunqi Peng
Penetrating into the crevices of the rock: a critical graphic design reflection in Chinese alternative artists’ books
Suwen Wang
From Disconnection to Reconnection: Cross-Cultural Communication In Cultural Heritage Studies Through AI-Based Digital Storytelling
Ellen Walker
Internet Folklore: Sociocultural Implications of Folkloric Narratives and Characters in Contemporary Online Communities
Nick Bell
The role of community gatekeepers in building generative cross-community communication as a situated and inclusive participatory practice, 2018-2025
Karen Bosy
home is where the heart is
Chang Gao
Augmented Reality Interface ++ Erotic Poetics
Hengzhi Gong
A Delay of Meaning
Sohaila Baluch
Sprigged: A Million Little Cuts
Sharon Young
Hysterical Chorus, Vienna
Hannah Clarkson
Autoimmune Animations: Intimacies of Care and Constraint
Yu Xiao
Beyond the Painting’s Identity via Underbelly
Clara Palmberger-Suesse
Notes on spilt milk
Kam Rehal
Collaborative Mark-Making and Conversation
Yunqi Peng
Graphic Designer Unchained: empowering freedom of interpretation through nomadic alternative art publishing
Jinya Zhao
Encounters with blown glass: light and glass
Colin Polwarth
An environmental approach to connected autonomous renewable energy vehicles, associated semiotics and the synthetically intelligent city
Ling Cai
Virtual Collaborative Experience (VCE): an experimental method for designing research questions in the context of a study of VCE
Nick Bell
A hyper-proximal, participatory placemaking strategy infrastructured by a cross-community network of institutions evolving protections for shared concerns.
Damien Roach
Central London (part 1)
Nick Bell
Design for everyday pleasure: nurturing a social commons
Nick Bell
Sandbox play number 4
Kirsty Smith
Skateboarding’s Situated Sounds
Nick Bell
Sandbox play number 6
Nick Bell
Sandbox play number 7
Larissa Nowicki
In the Event of Making: Uncovering Alternative Modes of Communication in the Work of Anni Albers
Amina Abbas-Nazari
Speculative listening
Claire van Rhyn
Communicating Change: Social systems transitions through body-led & awareness-based Participative Social Design
Kam Rehal
Collaborative mark-making conversations within allotment communities: durational acts for sharing socio-spatial encounters in growing spaces
Karen Bosy
vault, a continuing series of video and photographic works
Wenbo Ai
Using participatory design and co-creation to develop a new educational paradigm for dental health education promotion
Kirsty Smith
Unobservable spaces
Charlotte Lengersdorf
Towards an uncausal practice of visual communication
Amina Abbas-Nazari
Multiphonic Connections
Trent Kim
Lumia, Void Axis and Un-site
Carl W. Jones
Can the advertising process be decolonised in order to remove racist messaging? A work in progress.
Carl W. Jones
Decolonising advertising
Karen Bosy, Sharon Young
What do you think about when you think about skies?
Karen Bosy, Kirsty Smith, Nick Bell, Teal Triggs
Welcome to itinerant space