Using participatory design and co-creation to develop a new educational paradigm for dental health education promotion

itinerant space: a journal of art, design and communication research practices, is an experimental online platform for doctoral researchers at RCA.

Editor-in-chief: Professor Teal Triggs
Founding editors: Nick Bell, Karen Bosy, Kirsty Smith
Issue editors: Nick Bell, Karen Bosy, Kam Rehal
Contact: itinerant.space@rca.ac.uk

itinerant space, School of Communication, Royal College of Art, Garden House, Dorando Close, London W12 7FN

Website design: Regular Practice.
Site development: Mads Kullberg
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Notes from the Editors
Karen Bosy, Nick Bell, Kirsty Smith and Teal Triggs

Communication research is emerging internationally as a robust interdisciplinary practice. We find ourselves up against a sense of urgency to address rapidly shifting socio-political-cultural-technological environments. Postgraduate, post-doctoral and early career researchers are playing a substantive role in leading research into, for, and through critical communication theories, methods, and practices. New knowledge emerges out of radical and often disruptive approaches, but can only be successful if underpinned by a sympathetic understanding of those we are working with. At the same time, we are seeing an increase in the importance of the ways communication research is informing, shaping, and challenging the precarity of change; and, with this, a questioning of the way in which communication research and practices are ‘made public’ and disseminated as conversation.

KS: Questioning the role of communication, democracy and diversity within academic publishing, our aim is to examine what these standards of communication symbolise, and query systems of publishing.

itinerant space sets out to explore, interrogate and critically reflect on communication research practices, and we begin with the contributions of School of Communication postgraduate researchers. The gestation period of the journal has been lengthy. We began the process in a pandemic-free world in 2019, and continued with the key conversations taking place during a period of lockdown and reliance on online platform technologies. The ongoing debate between the editorial team and the broader cohort of postgraduate researchers and external guests focussed on radically rethinking what communication publishing might mean. If we have learned anything, it is that a slow, generative process steeped in dialogue, and reflection, can lead to new ways of thinking and making.

KB: For me the keyword grammar of itinerant space can function as a diagram, an assemblage, supporting an ongoing process of interaction and iterative conversation.

NB: Ongoing dialogue can meander; it can be unruly and perhaps should not be packaged in the same way.

itinerant space is an ongoing project. Its very nature is developmental, continually transformed through an engagement with its readers. We invite you to join us as we move forward on our research journey.

Using participatory design and co-creation to develop a new educational paradigm for dental health education promotion
Wenbo Ai

Project overview —

Design draws from a multi-disciplinary approach and offers a means for systematic, and creative thinking. Design strategies when applied within disciplinary-based subjects aids researchers in ways of approaching and solving complex problems. This is especially significant within a context of higher education.

I am researching dental health education through a participatory design approach and with students, parents and teachers affiliated with an art school located in Wuhan, China. My practice is the result of undertaking design research in higher education at a UK university; working with participants in elementary design education at an art school in Wuhan; and applying this to health promotion practices/strategies at a dental hospital in Wuhan.

This design research practice has three main stages:

Literature review and preparing the curriculum
This includes understanding current art and design curricula and dental health promotion in that context, having regular meetings and making participatory observations with both students and staff at the arts school and dental hospital and then collating the data from these encounters.

Three-week art and dental health promotion course
The creative activities ranged from drawing, crafting, gaming, making sculptures, dolls and fashion bags. These activities covered three weeks and parents and children could choose which sections they would like to participate in, depending on their interests and timetable. Through this art and design course, students were encouraged to learn dental health knowledge in the processes of making rather than passive medical lectures and books.

Interactive exhibition as an evaluation
As a final stage, we held an exhibition – including a mini-fashion show and an interactive game – as a platform to evaluate and receive feedback from children, parents, teachers, dentists and researchers.

My work discusses how the new health-promoting curriculum is formulated through different stages and explores how this participatory design course can benefit each of its stakeholders.

Biography

I am a PhD student at Royal College of Art, where my research is looking at participatory communication design and health promotion. I studied for a BA in Visual Communication Design at Hubei Institute of Fine Arts in China, and an MA in Service Design Innovation at University of the Arts London. My research areas include visual communication design, service design, design thinking, design anthropology, participatory co-design, inclusive design and social design.

Conversation: where critical friends of itinerant space are invited to comment on journal submissions as part of an ongoing research dialogue.